Caglar Kimyoncu

Two men wearing pyjamas, one of whom is sitting on the edge of a white metal framed bed, the other is in partial shot, in the foreground of the photograph.

COnscription Exhibition
Haydar Köyel as Gökmen Doğan, Hemi Yeroham as Yiğit Özpetek and Günalp Koçak as Ali Dönmez.

A photograph from Caglar Kimyoncu's CONSCRIPTION EXHIBITION depicting two men wearing pyjamas, one of whom is sitting on the edge of a white metal framed bed, the other is in partial shot, in the foreground of the photograph. This is a scene that is being projected onto a wall. immediately inform the the projection is a bed with white sheets and a folded uniform.

 Three men wearing pyjamas, one of whom is sitting on the edge of a bed, one is in partial shot, and the third man is out of focus towards the back of the image.

COnscription Exhibition 2
Haydar Köyel as Gökmen Doğan, Hemi Yeroham as Yiğit Özpetek and Günalp Koçak as Ali Dönmez.

A photograph from Caglar Kimyoncu's CONSCRIPTION EXHIBITION depicting three men wearing pyjamas, one of whom is sitting on the edge of a bed, one is in partial shot, and the third man is out of focus towards the back of the image. This is a scene that is being projected onto a wall. immediately inform the the projection is a bed with white sheets, a blue blanket and a folded uniform. There is a cabinet by the bed with a wire hanging down from above.

 A bed with a cabinet, headphones and a wall light positioned next to a wall with a projection of the same image.

COnscription Exhibition 3

A photograph from Caglar Kimyoncu's CONSCRIPTION EXHIBITION depicting a white metal framed bed next to a green cabinet. There are headphones and a wall light next to the bed. On the wall to right of the bed, is a projected image of the same scene.

Sign up as a Disability Arts International artist

Related artists from the same artform

Chisato Minamimura

Chisato Minamimura

See artist

Dilan Aydemir

Dilan Aydemir

See artist

Shape

Shape

See artist

Sue Austin

Sue Austin

See artist

Sign Up To Our Newsletter

  • This field is for validation purposes and should be left unchanged.
See our past newsletters