Deafinitely Theatre
Grounded
© Photo by: Image © Deafinitely Theatre
A photograph from Grounded by Deafinitely Theatre depicting a close up shot of a person signing. They are wearing a khaki uniform with an American flag sewn onto the sleeve. There is another person in the background wearing a similar outfit.
Love's Labour's Lost
© Photo by: Image © Deafinitely Theatre
A photograph from Love's Labour's Lost by Deafinitely Theatre depicting three performers wearing Venetian style eye masks in different colours. They are all wearing a short brown cape; one in the middle is wearing a bright pink wig. The performers are by a large pillar.looking to their right.
A Midsummer Night's Dream
© Photo by: Image © Deafinitely Theatre
A photograph from A Midsummer Night's Dream by Deafinitely Theatre depicting a performer wearing a costume made from feathers and flowers stood in front of a large audience on stage. The audience are seated on the ground floor and on a wooden balcony.
Deafinitely Theatre is the UK’s leading deaf theatre company. Established in 2002 by Artistic Director and co-founder, Paula Garfield, it produces bilingual theatre in British Sign Language (BSL) and spoken English. This means the company’s work can be understood by both deaf and hearing audiences together while retaining BSL as the leading language throughout.
Deafinitely’s vision is a world where deaf people are a valued part of the national theatre landscape, recognised for the excellence of their work. The company aims to build a bridge between deaf and hearing worlds by showing plays to both groups as one audience. Its productions set out to correct misconceptions about the deaf world, as well as correcting deaf people’s misconceptions of the hearing one.
Audiences queued in the street for return tickets to see Deafinitely’s sold-out premiere, Deaf History, at the Gate Theatre in London in 2002 and many more productions followed, including shows at Southwark Playhouse, Soho Theatre, Tricycle Theatre, Unicorn Theatre and on national tour.
In 2012 Deafinitely celebrated its 10-year anniversary with the first ever BSL production of Shakespeare at The Globe Theatre, its version of Love’s Labour’s Lost bringing deaf actors and audiences into the venue for the first time in its history. Following this success, the Globe invited Deafinitely back in 2014 with its production of A Midsummer Night’s Dream. The company also produce contemporary plays from the world repertoire and its most recent production, Grounded by George Brant at The Park Theatre in 2015, gained 4 and 5-star reviews.
Deafinitely Theatre’s next production will be in the autumn of 2016. Enquiries about international touring should be made to General Manager, Frankie Bridges in the first instance.
Contact details
Frankie Bridges
General Manager
201, Drummond Street
London, NW1 3FE
Artistic Directors
Paula Garfield
Online
Email: info@deafinitelytheatre.co.uk
Website: http://www.deafinitelytheatre.co.uk
Twitter: https://twitter.com/DeafinitelyT
Facebook: https://twitter.com/DeafinitelyT
An integral part of Deafinitely Theatre’s work is its extensive Education and Training Programme, including a Youth Theatre and CPD for emerging and established practitioners. The company offer bespoke workshops, masterclasses, residencies, post-performance discussions and Deaf Awareness Training for a range of participants, from school students to working professionals.
Press Quotes for Grounded by George Brant at The Park Theatre, 2014
‘Incredibly powerful and intelligent.’ The Stage 4*
‘Director Paula Garfield has given a vital new life to George Brant’s terse, fascinating piece… Grounded sees Deafinitely once again spread their wings.’ WhatsOnStage 4*
‘Makes Brant’s play seem new-minted in a production by Paula Garfield… stylishly designed and delivered.’ The Guardian 4*
‘Deafinitely Theatre’s production of Grounded by George Brant is unusual, gripping, and important… If you know any theatre people, take them to this show. They will enjoy it, and it just might encourage them to support a more inclusive theatre.’ British Theatre Guide
