{"id":403,"date":"2019-08-21T13:50:29","date_gmt":"2019-08-21T13:50:29","guid":{"rendered":"http:\/\/disabilityartsinternational.flywheelsites.com\/?post_type=artists&p=403"},"modified":"2022-07-25T09:17:28","modified_gmt":"2022-07-25T09:17:28","slug":"claire-cunningham","status":"publish","type":"artists","link":"https:\/\/www.disabilityartsinternational.org\/artists\/profiles\/claire-cunningham\/","title":{"rendered":"Claire Cunningham"},"content":{"rendered":"

Claire Cunningham<\/span><\/b>\u202fis a performer and creator of multi-disciplinary performance based in Glasgow, Scotland and a current Factory Artist with <\/span>Tanzhaus<\/span> <\/span>NRW <\/span>D\u00fcsseldorf, Germany<\/span> as well as a Work Place Artist with The Place, London<\/span>. \u202f<\/span> <\/span><\/p>\n

One of the UK\u2019s most acclaimed and internationally renowned disabled artists, Cunningham\u2019s work is often rooted in the study and use\/misuse of her crutches and the exploration of the potential of her own specific physicality with a conscious rejection of traditional dance techniques (developed for non-disabled bodies). \u202fThis runs alongside a deep interest in the lived <\/span>experience<\/span> of disability and its implications not only as a choreographer but also in terms of societal notions of knowledge, value, connection and interdependence. \u202fA self-identifying disabled artist, Cunningham\u2019s work combines multiple\u202fart\u202fforms\u202fand ranges from the intimate solo show\u202f<\/span>ME<\/span><\/i>\u202f(Mobile<\/a>\/Evolution<\/a><\/em><\/span>) (2009), to the large ensemble work\u202f12<\/a> <\/em><\/span>\u202fmade for Candoco Dance Company.\u202f\u202f\u202f <\/span> <\/span><\/p>\n

In 2014 she created Give Me a Reason to Live<\/a><\/em><\/span>, inspired by the work of Dutch medieval painter Hieronymus Bosch and the role of beggars\/cripples in his work, and the <\/span>full length<\/span> show\u202fGuide Gods<\/a><\/em><\/span>, looking at the perspectives of the major Faith traditions towards the issue of disability.\u202fAwarded one of the Unlimited Commissions in 2016 she created with choreographer Jess Curtis a duet The Way You Look (at me) Tonight<\/a><\/em><\/span> which has since toured world-wide and been selected in 2018 for <\/span>Tanzplattform<\/span> Germany and nominated for an Isadora Duncan <\/span>Dance<\/span> Award<\/span>. <\/span> <\/span><\/p>\n

Claire<\/span> is a former Artist-in\u2013Residence at the Women of the World Festival at the Southbank, London and of the Ulster Bank Belfast Festival at Queens.\u202f In 2016 she was Artist in Residence with Perth International Arts Festival, Australia and Associate Artist at Tramway, Glasgow.<\/span> <\/span> <\/span> <\/span><\/p>\n

In July 2019 <\/span>Claire <\/span>premiered<\/span> a new ensemble piece, <\/span>Thank You Very Much<\/a>,<\/span><\/i> at Manchester International Festival<\/span>.<\/span> <\/span><\/p>\n","protected":false},"author":79,"featured_media":1650,"template":"","tags":[16],"artist-theme":[102],"artform":[6],"curated":[32,42,31],"country":[33],"acf":{"simple_layout":false,"featured_image":1940,"featured_image_alt_text":"A woman with white hair looks to her side. ","strapline":"Performer and creator of multi-disciplinary performance work, often rooted in the study and use\/misuse of her crutches, and the exploration of the potentiality of her own specific physicality.","artistic_directors":"Claire Cunningham","contact_name":"Nadja Dias","contact_title":"Executive Producer","company_address":"33 Furnace Court\r\nHurlford\r\nKA1 5HA","company_email":"nadja@clairecunningham.co.uk","company_url":"http:\/\/www.clairecunningham.co.uk","twitter":"@ClaireCProjects","facebook_url":"http:\/\/www.facebook.com\/ClaireCunninghamProjects","instagram_url":"","wrap_around_work":"INVITATION TO ATTEND\r\nIn the Invitation to Attend Workshop, Claire will share methods and scores central to her work, opening up dialogues about where her choreographic practice based on attending\/attention and perception, and practices learned from normative-bodied artists, meets with concepts of Crip politics \u2013 such as Crip time \u2013 and the phenomenology\/lived experience of disability.\r\n\r\n4 LEGS GOOD\r\n4 Legs Good is a lecture performance exploring Claire\u2019s artistic practice- specifically the use\/ misuse, study and distortion of crutches as artistic practice and how they shape her own practice. In the widest sense her work has shifted from its explorations about the connection between the crutches and the body \u2013 what is possible in the combination of the crutches with her and other bodies- to how the crutches connect her to the world.\r\n\r\nCunningham can offer other masterclasses in movement for disabled and non-disabled individuals above age 16 and with some experience in movement. Please contact us to discuss your requirements.","press_comments":"\u201cSmart, sensitive and sometimes sensual\u2026 well worth seeing\u201d<\/em> The Times\u00a0<\/cite>\u2605\u2605\u2605\u2605\u00a0<\/span> on The Way You Look (at me) Tonight\u00a0<\/cite>\r\n\r\n\u201cAstonishing...a life-affirming display of community spirit that would make Elvis quiver with pride\u201d\u00a0 <\/em> \u2605\u2605\u2605\u2605\u2605 The Herald\u00a0 on Thank You Very Much<\/span><\/cite>\r\n\r\n\u201cdevastatingly powerful, unsettling and moving... as emotionally expressive and communicative as only the best dance can be.... The impression is that you have seen something unique and extraordinary, and afterwards you are left with an unsettling sense that your own attitudes have been challenged \u2013 and hopefully reset.<\/em>\u201d \u2605\u2605\u2605\u2605 Salford News on Give Me a Reason to Live<\/span><\/cite>\r\n\r\n\u201cCunningham is such a magnificent artist\u2026 [a] unique and completely beautiful show\u201d <\/em>\u2605\u2605\u2605\u2605 The Scotsman on Guide Gods<\/em>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ","video":[{"video_introduction":"Thank You Very Much Trailer","youtube_video_id":"","vimeo_video_id":"363524214"},{"video_introduction":"The Way You Look (at me) Tonight by Claire Cunningham and Jess Curtis","youtube_video_id":"","vimeo_video_id":"214077123"},{"video_introduction":"Beyond the Breakwater","youtube_video_id":"","vimeo_video_id":"256932175"},{"video_introduction":"Guide Gods","youtube_video_id":"","vimeo_video_id":"113790166"},{"video_introduction":"Give me a Reason to LIve","youtube_video_id":"","vimeo_video_id":"109287574"}],"photo_slider":[{"upload_photo":2076,"photo_title":"The Way You Look (At Me) Tonight","copyright_text":"Sven Hagolani","alt_text":"A woman with crutches walks over a man laying in the street","long_desc":"A man with white hair, black t-shirt and grey trousers lays on the street, on his back with one leg bent at the knee. A woman with white hair, a blue tshirt and black trousers walks over him, one foot on his ankle, one on his foot, she used crutches to take her weight. She looks backwards, towards his face. In the foreground, a boy wearing a black tshirts, watches them.\r\n\r\n\r\n"},{"upload_photo":1941,"photo_title":"Give Me A Reason To Live","copyright_text":"Hugo Glendinning","alt_text":"A woman stands in a dark room with her arms and crutches outstretched.","long_desc":"A woman dressed in loose grey trousers and grey sleeveless t-shirt with bare feet stands with her back to us, her arms outstretched to her sides. She holds crutches which reach out past her hands, resting on walls, the cuffs of the crutches are wrapped around her arms. Her head is bowed and we can't see her face, only her bright blonde hair."},{"upload_photo":1942,"photo_title":"Guide Gods","copyright_text":"Colin Mearns \/ Sunday Herald","alt_text":"A Woman using crutches dances on tea cups","long_desc":"A woman is dressed in a white shirt and trousers, she has bare feet and bright blonde hair. She is using a crutch in each hand, the cuff of the crutch wrapped around her arm, just below the elbow. She holds her weight on the crutches allowing her to rest one foot on an upside down tea cup while the other reaches out to the side searching for another tea cup to stand on. On the white floor there are many upside down tea cups of different sizes, shapes and colours."},{"upload_photo":2078,"photo_title":"Beyond the Breakwater","copyright_text":"Paul Blakemore courtesy of Situations","alt_text":"A woman using crutches stands on a pebble beach","long_desc":"A woman is on a grey pebble beach, she weaers a grey jumper, bright orange baggy trousers, a grey and orange cap and mirrored glasses. In the glasses we catch a glimpse of the beach and the ocean. The woman is holiday crutches and has one stretched out to her side while the other is vertical and holds her weight, she stands slanted to the side. In the background there are other crutches standing up on the beach and people, cars and buildings further back on the shore."},{"upload_photo":2077,"photo_title":"Claire Cunningham in Thank You Very Much","copyright_text":"Hugo Glendinning","alt_text":"A woman dressed like Elvis dances on a stage.","long_desc":"A woman is dressed in black trousers with a red and yellow line up the leg, and a black leather jacket. She has short blonde hair. She is using crutches, the cuff of each crutch on her forearm, taking her weight leaving her in a sitting position with her feet on tiptoes. She stands on a brightly lit stage, the lighting coming up from below the floor."}],"productions":[{"productionexhibition_title":"The Way You Look (at me) Tonight","duration":"110 mins","production_description":"A social sculpture-a sensory journey, for two performers and audience. Developed in collaboration with philosopher of perception Dr. Alva No\u00eb, Claire and performer Jess Curtis dance, sing, tell stories and ask questions about our habits and practices of perceiving each other and the world.","extra_information":"The work is flexible and able to scale to a variety of performance spaces, Including large halls such as at the Southbank Centre, mid-scale traditional theatre\/ black box theaters like CounterPulse and Uferstudios, with iterations also possible for Gallery, non-traditional, durational installation, classroom and site-specific settings.","people_on_road":"4 or 5 depending on schedule","freight":"baggage","freight_details":"No more than 2 additions suitcases at 30kg each"},{"productionexhibition_title":"Give Me a Reason to Live","duration":"35 minutes approx","production_description":"In a starkly beautiful work of transcendence and trial, Cunningham delves into the work of medieval painter Hieronymous Bosch, to explore religion, religious art, and the judgment of souls and bodies.\r\n","extra_information":"This work can be performed in a black-box studio theatre or in a non-theatre or gallery space. The space must feature a corner and a back wall clear of any doors, windows, signage, plug sockets, heaters or other fittings and furniture. The corner area must feature 1.5m of clear wall space (as described above) on each side from the centre out. The walls which form this corner must be solid and bear Claire's weight.\r\n\r\nA photograph of the corner area must be provided to the artist before a presentation can be confirmed.\r\n\r\nThe floor can be wooden or dance floor but not stone or concrete\r\n\r\nThe sound score can be played from a laptop which will travel with the company. A sound system or speakers must be provided which is compatible with a Mac for amplifying the sound. \r\n\r\nThe lighting will be created from in-house lighting and this must be provided by the presenter in theatre and non-theatre spaces.\r\n\r\nThe company will require a full day prior to the first performance for technical rehearsals. More tech info available on request.\r\n\r\nThe audience can be seated or promenade in front or to the sides of the performer.","people_on_road":"3","freight":"none","freight_details":""},{"productionexhibition_title":"Guide Gods","duration":"70 minutes","production_description":" Using dance, live music, humour and interviews with religious leaders, academics and deaf and disabled people, acclaimed performer Claire Cunningham goes on a perilous quest to explore how the major world faiths view deafness and disability in this witty and illuminating show.","extra_information":"The production is designed for the audience to sit within the performing space.\r\n\r\nThe seating is limited to 48, which includes 28 seats (to be provided by the venue) and cushions on a carpeted floor (provided by the company). The production can be performed in non-theatre spaces and in studio theatre spaces. The minimum floor area required is 10m x 8m. \r\n\r\nThe piece integrates audio description and the captioning is displayed on television screens which are part of the set.\r\n\r\nThe audience is invited to join the performers for a cup of tea after the performance.","people_on_road":"5 (including captioner)","freight":"necessary","freight_details":"The production has a set which will need to be transported. All elements of the set and flooring fit into a high roof panel van or container (approx. 2.5m high\/1.9m wide\/3.5m long) "},{"productionexhibition_title":"Thank You Very Much","duration":"1h30 no interval","production_description":"Thank You Very Much invites you to join an evening informed by the experiences of an international company of leading disabled performers. Through the lens of the competitive world of tribute artists, among the messiness of navigating society\u2019s ideas of normality, the ensemble takes apart the myth of how bodies should be.","extra_information":"Performances take place in thrust, with audience on three sides, on a mixture of cabaret tables and rows of seating. Stage floor must be flat. \r\n\r\nSprung wooden dance floor \u2013 floor must have no splinters, sharp edges etc. Dancers perform on occasions in bare feet and perform lying\/crawling on the floor. Concrete floors are not acceptable.\r\n\r\nWe require the use of house masking to dress the edges of the cyc. (1 set of legs and 1 border.\r\n\r\nFor venues without a proscenium arch we require additional making to set a false proscenium up stage of the L shaped treads. \r\n\r\nWe require controllable heating \/ air conditioning in the performance and warm up space. A minimum temperature of 21 degrees is required.\r\n\r\nAll spaces must be wheelchair accessible\r\n\r\nPlease contact nadja@clairecunningham.co.uk for the full tech spec.\r\n","people_on_road":"12 depending on schedule","freight":"necessary","freight_details":"The show tours in a 3.5T Luton van (please allow parking and dock space for a 7.5T truck as this may depend on vehicle availability)."}],"country":33,"artform":6,"theme":[]},"yoast_head":"\nClaire Cunningham - Disability Arts International<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wordpress-753190-3886878.cloudwaysapps.com\/artists\/profiles\/claire-cunningham\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Claire Cunningham - Disability Arts International\" \/>\n<meta property=\"og:description\" content=\"Claire Cunningham\u202fis a performer and creator of multi-disciplinary performance based in Glasgow, Scotland and a current Factory Artist with Tanzhaus NRW D\u00fcsseldorf, Germany as well as a Work Place Artist with The Place, London. \u202f \" \/>\n<meta property=\"og:url\" content=\"https:\/\/wordpress-753190-3886878.cloudwaysapps.com\/artists\/profiles\/claire-cunningham\/\" \/>\n<meta property=\"og:site_name\" content=\"Disability Arts International\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-25T09:17:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/wordpress-753190-3886878.cloudwaysapps.com\/wp-content\/uploads\/2019\/08\/Claire-Cunningham-ProfileList.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2675\" \/>\n\t<meta property=\"og:image:height\" content=\"2675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/wordpress-753190-3886878.cloudwaysapps.com\/artists\/profiles\/claire-cunningham\/\",\"url\":\"https:\/\/wordpress-753190-3886878.cloudwaysapps.com\/artists\/profiles\/claire-cunningham\/\",\"name\":\"Claire Cunningham - 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