Garry Robson<\/strong><\/p>\nOne two three.<\/p>\n
Brrrrrrrrrr.<\/p>\n
Art is for everyone.<\/p>\n
[Sings] Mmmmmmmmmmmmm eeeeeeeeeeee iiiiiiiiiiiiiiiiiii ohhhhhhhhhhhhhhh.<\/p>\n
\u2026that taps the wellsprings of the human heart, and even what little there is doesn\u2019t work so well once it\u2019s been used a few times.<\/p>\n
Deaf and disability art in this country and globally it\u2019s been a kind of a niche market for many many years.<\/p>\n
Tony Heaton<\/strong><\/p>\nI think it\u2019s probably important to remember that disability arts started in Britain and it was part of a struggle for civil rights.<\/p>\n
Jenny Sealey<\/strong><\/p>\nBack in the sort of like early 80s, being in and around an emerging, developing concept that we, as Deaf and disabled people, we can create theatre.<\/p>\n
Tony Heaton<\/strong><\/p>\nDisability wasn\u2019t about people\u2019s individual impairments but that it was all about the fact that you couldn\u2019t get on the train or you couldn\u2019t get on the bus, you couldn\u2019t get in the art gallery and you couldn\u2019t actually get into places of education.<\/p>\n
Jenny Sealey<\/strong><\/p>\nWe started, developing performances for each other, and over a period of years really we started to get braver and much more confident that what we had to show was good.<\/p>\n
We stepped out into the more mainstream world and said, \u201cExcuse me, we\u2019ve got stories to tell\u201d.<\/p>\n
Tony Heaton<\/strong><\/p>\nA lot of disabled artists have taken a creative journey that has bypassed art colleges because for whatever reason the art colleges were not accessible to that artist.<\/p>\n
Garry Robson<\/strong><\/p>\nThere\u2019s a whole range of work coming up throughout the whole country and people bring different experiences to it, and the work is at a lot of different levels throughout the country \u2013 there\u2019s smaller works going on, more intimate works, more discreet works but they all bring value.<\/p>\n
And they\u2019re all about developing people, developing people\u2019s confidence, their skills, and I guess saying to other people, \u201cLook, it can be done\u201d.<\/p>\n
Jenny Sealey<\/strong><\/p>\nGraeae was set up because Nabil Shaban, disabled performer wanted to, well, be on stage, and all the audiences and the other directors went, \u2018\u201cSomeone like you cannot be on stage\u201d.<\/p>\n
So back in the 80s if you were marginalised, what you did then, politically, was you set up your own company.<\/p>\n
Garry Robson<\/strong><\/p>\nThe purpose of Graeae was to change the way that disabled artists and performers are seen in the UK.<\/p>\n
Jenny Sealey<\/strong><\/p>\nI was in Tokyo, my phone went. \u201cDear Jenny, we are interested in interviewing you and Bradley Hemmings to be co-directors for the, Paralympic Opening Ceremony.\u201d<\/p>\n
We got the job and it was absolutely extraordinary.<\/p>\n
Garry Robson<\/strong><\/p>\nDaDaFest has been going for a couple of decades really. It was a small scale community festival based around the Deaf and disabled community in Liverpool.<\/p>\n
In 2008, they got money to do a much bigger programme, an international programme; the best of Deaf and disabled work worldwide, and it was a huge success.<\/p>\n
Tony Heaton<\/strong><\/p>\nWe are certainly moving towards a more inclusive way that we operate as a society, and I think people are understanding that it\u2019s not people\u2019s impairments that stop them doing things but it is the barriers to inclusion that need removing.<\/p>\n
Jenny Sealey<\/strong><\/p>\nI don\u2019t understand why every theatre in the whole of the country does not have one, two Deaf or disabled actors in, in every play and I think theatre should be fully accessible and really inclusive so in 2020 Graeae should close down.<\/p>\n
We\u2019ll become something different.<\/p>\n
We\u2019ll just become a theatre. I\u2019m sure I\u2019m the only\u2026 only director in the whole of the world that wants to close their company down, but it\u2019s for all the right reasons.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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An introduction to Deaf and disabled arts in the UK - Disability Arts International<\/title>\n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n\t \n